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SOLO Exhibition

Night & Gravity

Summer 2024
Shanghai, China

Night and Gravity, a solo exhibition by Zejun Shi, was presented in the summer of 2024 at the Main Building, No. 33, Lane 672, Changle Road, Jing’an District, Shanghai. The exhibition took place within a historic compound formerly associated with the Shanghai People’s Fine Arts Publishing House.

The exhibition explores the relationship between night, the body, and gravity. Here, gravity refers not only to a physical force continuously acting upon the body, but also to a metaphor for emotion, memory, and perception. Through the relationship between the body, space, and visual experience, the works consider the invisible forms of weight that continue to shape individual experience.

The exhibition approaches night as a particular state of perception. As the routines of everyday life and external stimuli gradually recede, the body’s awareness of space, distance, and its own presence becomes heightened. Night and Gravityseeks the threshold between physical and psychological experience, examining how individuals perceive and carry these invisible forces, and how they come to understand their relationship with the world around them.

《Night and Gravity》施泽君个展 于2024年夏季在上海静安区长乐路672弄33号主楼展出,展览场地位于原上海人民美术出版社相关历史建筑院落内。

展览围绕夜晚、身体与重力之间的关系展开。“重力”在这里不仅指向一种持续作用于身体的物理力量,也被转化为一种有关情绪、记忆与感知的隐喻。作品通过身体、空间与视觉经验之间的关系,讨论那些无法被直接看见,却始终作用于个体的重量。

展览将“夜晚”视为一种感知状态。当日常秩序与外部信息逐渐退去,身体对空间、距离与自身存在的感受被重新放大。《Night and Gravity》试图在这种状态中寻找身体与心理经验的交界,并呈现个体如何感知、承受,又如何重新理解自身所处的现实。

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EXHIBITION DOCUMENTATION

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INSTALLATION VIEW

PARADISE
 

Oil Painting 2021

180 × 120 cm

这幅作品试图描绘创伤后应激障碍(PTSD)患者经历闪回(Flashback)时的精神状态。对于许多经历过重大事故的人而言,创伤并不会随着时间结束,而是以碎片化记忆

的形式不断重现。当某个气味、声音、场景或情绪被触发时,他们会被瞬间拉回事故发生的时刻,仿佛时间从未向前流动。画面中的旋转木马并非游乐设施本身,而是一种心理隐喻。它象征创伤记忆的循环结构。患者仿佛被固定在一架无法停止的旋转木马上,一遍又一遍地经过相同的场景,看见相同的画面,体验相同的恐惧。身体已经回到现实,但意识仍被困在过去。旋转木马不断将患者带回过去,而蝴蝶则代表着患者带着灼烧后的翅膀,飞向新的时间之中

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